There have been documented in the "Historical Records Lian Po Lin Hsiang-ju Biography the Mianchi meeting Lin was the King of Qin Fou hit for the King of Zhao, but a long time," Fou "only heard his name, and no its shape. Wuxi Hongshan more the noble tomb of archaeological solve this problem, The excavated burial of more than 500 musical instruments, the type and quantity of worthy and comparable to the Warring States tomb ever unearthed bells, of which there are three modeling vivid celadon Foot Fou.
These celadon musical instruments, three-legged pottery, cotinine, Niu duo, Yong bell, chime, bell-shaped, etc., pottery, Tudor and þø, Block first discovered more country musical instruments and instrument parts. Celadon three-legged pottery 3, 40 cm diameter, 24.2 cm high, Fou for deep abdominal basin-shaped, both inside and outside the Shi Qinghuang glaze, rim and upper abdomen decorated with fine coil snake pattern, the two animals like wide ear, the other two side there is a symmetry of the lizards crawl in the rim, the lizard's forelimbs to climb along the mouth Fou along, exaggerated and vivid.
Folk music specialist, President of the Nanjing Institute of the Arts School of Music, Professor Ng Kwok Tung, China Qin history of music is mostly based on the Central Plains Music Center started the musical culture of the Wu and Yue regions mentioned little empirical evidence is a very important reason . The more the country buried celadon musical instruments are so heavily concentrated unearthed, very rare, this huge underground instruments library also reflects the rich and varied musical life at that time, to fill the ancient music of the south-east cultural historical regrets.